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IMAGES OF HENRY CORT All those seen show profile, facing left. Mezzotint Now in British Museum annex near Olympia, open one morning every two weeks. Probably the original likeness. Inscribed with quotation from The Times.
The stamp on the reverse side shows the picture was given to the museum in 1931. Lithograph 1 Also in British Museum annex. Probably derived from mezzotint, though the appearance is quite different. Caption also quotes the 1856 Times article. Adam White, I have learned from the Web, "was an Assistant in the Zoology Department of the British Museum from 1835 to 1863, specializing in Crustacea and insects." The year, 1859, in which he donates the lithograph to the museum is towards the end of the period of controversy about Henry Cort. Although there is no mention of the Society of Arts (the main source of this controversy) in White's biography, it is likely he knows many of its members. In particular, William Benjamin Carpenter, who has married Cort's granddaughter, works in a related field. Lithograph 2 Discovered on the Web in October 2008. In National Maritime Museum, Greenwich. Lithograph 2 Provenance and derivations unknown. Steel engraving Present whereabouts unkown. Possibly in archives, Institute of Materials. Probably derived from mezzotint. According to Mott's notes in the Coalbrookdale collection, it was presented by William Fairbairn and others to the Cort Memorial Fund set up in 1856. According to a letter from Charles H. Morgan (to H.H. Suplee, January 24, 1906), it was subsequently "presented to the Iron and Steel Institute by Windsor Richards in 1901". The Institute was later subsumed into the Metals Society, then into the Institute of Materials. The letter also says Morgan has "a good enlarged copy of the Steel Engraving of Henry Cort which I would be glad to donate to the A.S.M.E." (American Society of Mechanical Engineers). Does ASME now hold this copy? Model and bronze bas-reliefs
We now know that the American engineer is Charles H Morgan. One bronze is at St Johns Hampstead, where Cort is buried. The other is at St Marys Lancaster. near where he is said to have been born. Weale quotes his birthplace as Ellell, which Mott discovered is in the parish of Cockerham near Lancaster. Mott says the two bronzes were developed from the original steel engraving. According to the Morgan-Suplee letter, an intermediate stage was "the model from which the Copham Manufacturing Company made the Bronze Tablets", which was then in Morgan's possession. Plaster cast At Manchester Materials Science Centre.
Evidently also developed from steel engraving. Book cover The image on the front cover of the Mott/Singer book Henry Cort: The Great Finer was probably taken from the original steel engraving, since the book was published by The Metals Society Fareham images The image used on the flags for Fareham's commemoration of Henry Cort, April-June 2000, was evidently taken from the book: probably from the photograph of the Hampstead tablet rather than the cover. Website image The image used in the banner on this and several other pages off this website was developed from a photograph by Eric Alexander of the Lancaster tablet.
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The pages on this site are copied from the original site of Eric Alexander (henrycort.net) with his allowance. |